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I never thought of myself as the kind of person who would enjoy Dungeons and Dragons. I joined my friends’ group about two years ago, afraid that they would be more committed to the intricacies of gameplay than I had the attention span for. Even after discovering that they mostly used the rules as guidelines for elaborate goofiness, much more my style, I was still hesitant to commit. I borrowed dice from my friends until the pandemic forced us all to play over zoom. I finally shelled out a few dollars for a set of dice (actually two), and decided that a dice bag would be a good embroidery and beginner sewing* project.
Since D&D is an adventure game wanted the embroidery design to be related to navigation. I had an old pair of dark blue jeans with white polka dots that I wanted to use for some kind of project. These would be the perfect background for a star map. I cut out two circles of the denim, one large for the outside and one small for the inside pockets, and two corresponding circles of some old bedsheets as lining.
I found a website that generates a star map for any date, time, and location that you can think of. I chose my birthday. The printed star map was about 7” in diameter and the circle for my pattern was 8”. I did not want the pattern to be too small, so I drew a 7/8” grid over my print out and made a 1 inch grid on tracing paper. I did my best to translate the stars and constellation lines from the print-out to my tracing paper. I left a 2” diameter circle in the middle blank because I did not want my embroidery to be damaged when I set the bag down.
Once I had my star map translated to tracing paper, I pinned it to the fabric in my embroidery hoop. Transferring designs onto dark fabric can be hard and I have found the way that works best for me is to baste my designs onto the fabric with white thread and take the threads out as I go along. I’ve tried using the white embroidery pencils but since it takes me so long to embroider, they often fade before I get a chance to embroider that part of the design. I marked each star with a little X, embroidering the fabric through the tracing paper. Once that was done I ripped the tracing paper off.
I embroidered the stars in DMC B5200, making tiny satin stitch circles as neatly as I could. I didn’t use French knots because I didn’t want them to snag. Embroidering through denim turned out to be difficult, especially for small designs, since the weave is not the same as the quilting quarters I normally use. It’s nice that the weave gives a little bit of a stretch when you wear jeans, but not necessarily when you are trying to embroider. I reluctantly had to use stabbing method instead of sewing method. I also embroidered over my tiny X’s rather than take them out because I realized I did not pay attention to the order in which I made the X’s and did not want to accidentally pull a thread and lose a star.
For the constellation lines, I used DMC 3865, slightly off-white. I realized that I should have basted in the constellation lines as well. Just like it is difficult to connect the dots when stargazing, it is hard when embroidering on a slightly inaccurate star-scape. Luckily it gets easier the more and more consolation I embroider. I am using a tiny split back stitch for these delicate lines.
The other details of this project include the Moon at 91% waxing, done in multiple shades of white and gray to the best detail level I could approximate. I will be using a chain stitch in the DMC 3078 for the ecliptic, which shows the sun’s path across the sky. For the stars whose colors I could find, I’ll be using the lightest shades of yellow, blue, and red that I could find, DMC 3078, 775, and 948 respectively.
If I somehow went back in time and proposed this project to my past self who had just started playing D&D, she would have said I was crazy to think she would invest that much time in something that she didn’t even take that seriously. But now I know that you don’t necessarily have to take something seriously to enjoy it or invest in it. And it is always worth investing in good times with good friends
-Erica
*There will be another post later on the actual assembly and sewing of the dice bag.
Embroidery is wonderful in that a simple repertoire of stitches can produce endless designs but they can also make it make selecting a new design overwhelming. With an infinite number of wonderful beautiful patterns available at your fingertips, how are you supposed to choose just one for your next project? Some of you may be organized enough to have a queue of artists whose patterns you want to produce for yourself. I am not that disciplined. With every new project comes the terrible task of winnowing down the possibilities until I select my new design. I have learned to make this process easier on myself by looking for ways to make each new embroidery project very personal to me. Here are three embroidery motifs that are extremely easy to personalize:
-Erica
Embroidery is my preferred creative outlet. I like to make everyday objects a little more interesting and personal. At the beginning of quarantine, when there seemed nothing else to do and I was spending all my time at home, I decided to make some curtains from old sheets and embroider them. I’ll save the process of making the curtains for a later post. Right now I just want to write about how it has given me a greater appreciation for quiet time.
Embroidery is a very time-consuming craft. The repetition can be relaxing, even meditative, but it can also cause a serious underestimation of the time needed to complete a project. I’ve been working on my curtains for over a year and I’m less than halfway finished. Three of nine curtains are serving their purpose while the fourth through ninth languish in project limbo.
When I realized the project would take much longer than anticipated, I got overwhelmed. Ideas for new projects kept adding themselves to my mental queue. I was working on my curtains almost obsessively so I could start something new. I was watching more TV than normal because I was working longer. The late-night screen time began to interfere with my sleep, and was the lack of sleep was driving me crazy. I reached a point where I realized how important it is to slow down and wind down.
I started by allowing myself to work on the curtains in smaller sessions. They were going to take forever whether I decided to race to the finish line or not. Breaking the project up also meant I could work on smaller projects in the meantime, chipping away at my queue. I spent some portion of each session, if not all of it, in silence. With no screens or audiobooks to distract me, I was able to focus more on my embroidery and achieve that meditative aspect. Falling asleep was much easier when the last half-hour before bed was not spent wrestling with the decision to watch one more episode.
That is not to say that I magically developed the ability to laser focus. I still get distracted easily. Sometimes it’s my own thoughts and worries for the coming workday. Sometimes it’s my cats’ strange obsession with the peeling paint bubble in the corner of my living room ceiling. They’re always staring up at it even though the only thing up there is the ugly off-white paint some previous tenant had to contend with. Other times my bedroom door will move opposite the direction the floor tilts. I normally would have assumed this was the cats, but now I know one is on the couch with me and one on the chair across from me.
Sometimes I listen for the sound of my neighbors. Not always to eavesdrop, but just to know that there are other people aimlessly puttering around their apartments in the evening. The sounds comforted me during the worst of quarantine. Letting them creep me out would only make me feel more alone. I find myself imagining them in my own kitchen, my own bedroom, to the point it almost feels like someone is there, if only in the other room.
-Erica
I’ve never been good at correcting, or even acknowledging my mistakes. Since childhood, I’ve had this internalized idea that success means doing something right on the first try. If I can’t do something right the first time, I just move on to something else. My tea tray and office tray project gave me a built-in opportunity to break that pattern.
How did I convince myself to acknowledge my mistakes and learn from them? I was sneaky. I started at the beginning, by planning and purchasing the supplies for two trays at once. In my normal drive for efficiency, I assumed I would build the trays concurrently. That didn’t happen.
I started the tea tray right away. After what I assumed would take one evening dragged into a second day, I was determined to finish as soon as I could. The result was predictably sloppy. It was still serviceable and looked fine from afar, but I know the bottom is not as sturdy as it could be and the dividers are not evenly placed.
Normally, if I had only planned to make one tray, I would decide that it was fine and never try something like that again. But I had all these cereal boxes and sheets of scrapbook paper haphazardly stored in my living room. Every time my cats would start to mess with them was reminded of the next project in my queue. One that I now knew would take longer than originally planned.
So I waited until I knew I would have enough time. Revolutionary idea, I know. But for someone so impulsive, it kind of is. I remembered exactly what I wanted to change from my first attempt. I wanted to make the tray itself out of a single piece of cardboard and interlock the dividers rather than just gluing them. When I reached a point where I started doing sloppy work, I packed up for the day and returned when I had more energy to focus. The end result is not perfect, but it the outside is made of one piece of cardboard and the dividers interlock.
I’m not too much of a perfectionist that I’ll redo them right away, but I’m also not to scared to attempt them again in the future.
-Erica
My job is terrible. That will never change, but I do have the tiniest bit of control over my surroundings. I had a small epiphany a while ago that just because I don’t enjoy any aspect of being an administrative assistant at a swag factory doesn’t mean I can’t try to enjoy myself, at least a little bit, at work. It’s going to take a while to find a new job and I don’t want to wait until then to be happy.
I thought a natural place to start was the small, cluttered pile of office supplies on my desk. My paperclips and thumbtacks, etc. would look so much better in a cute little tray. Of course, I figured I’d make one myself to make it more personal and save money (more on that later). While I was at it, I decided to take the opportunity to finally have tea at my desk. I really wanted to get as much happiness out of each day as possible.
Since I’m not going to use these trays to carry anything, I just made them out of cardboard, scrapbook paper, and mod podge. Eventually, I also included jars I had saved because I like jars and a nice thrifted mug and saucer for the tea tray. I made sure to purchase all my extras and choose my jars before I started working on the trays so that everything would fit. I did end up making some substitutions in the end.
The office supplies were at my desk anyway, so I started with the tea tray. I rushed and it came out a bit sloppy. I took my time with the office supplies tray and it came out a little better, but still not perfect. And that’s fine. They don’t have to be perfect to be nice to look at.
From start to finish, both trays took me about four months, but doesn’t mean I spend four months working on it. I got the idea, bought the supplies, let everything sit around my house for a while, forgot which paper I meant to use on the outside and which paper I meant to use on the inside, never remembered, finally made the tea tray, that was a lot, waited a few more months, and finally had a free weekend to make the office tray. One has floral print on the outside, one has floral print on the inside, I have a lot of extra scrapbooking paper that I need to think of something to do with, it’s fine.
Here’s a breakdown of my process:
Supplies for the office tray (Tea tray was similar, I just bought a teacup and strainer)
Supplies | Cost | Notes |
Mod Podge* | $5.99 | |
Craft Paper* | $2.84 | 4 sheets @$.71 ea |
Sponge Brush* | $0.99 | |
Cardboard | $3.79 | 1 box of cereal |
Lotion Jars (for tacks and paper clips) | $19.98 | 2 jars @ $9.99/jar |
Peanut Butter Jar (for pens and pencils) | $5.00 | |
Total* (* is things I had to buy) | $9.82 | |
Total Total | $38.59 | (Obviously I ate the cereal and used the lotion. Nothing was wasted) |
Active time | 6 hours | (per tray) |
Steps:
-Erica